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Geoffrey Peterson

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gpete3128@gmail.com
(607) 280-0922

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Not a real opera singer if you don’t jump on with

Not a real opera singer if you don’t jump on with the trends. Happy World Opera Day. Hire me… I’m bored.
Featuring:
@eddie_brennan_
@fradykatsoprano
@reggiesings

Check one off the list ☑️ Performed my first Esca

Check one off the list ☑️

Performed my first Escamillo in Tragedy of Carmen this past summer with Marble City Opera. Not a role I ever saw myself doing, and quite frankly, one I avoided because I didn’t want to get it wrong. A lot of this felt good, and while far from perfect, has given me some renewed confidence to try and book this one more often.

The Tragedy of Carmen
Bizet’s music adapted by Peter Brook
Marble City Opera - 2026

Co-Stage Directors Kathryn Frady & Marya Barry
Conductor Andy Anderson
Stage Manager Martin Hennessee
Assistant Stage Manager Faith Nevarez

Carmen Kathryn Frady
Don Jose Edward Brennan
Micaela Jacquie Reynolds
Escamillo Geoffrey Peterson
Zuniga Maurice Hendricks
Lilas Pastia Oliver Hassall
Frasquita Faith Nevarez

Violin 1 Mei Lia White
Violin 1 Hunter Wilburn
Violin 2 Heidi Mollers
Viola Robyn James
Cello Ian McClure
Bass Daniel Bates
Piano Brandon Coffer
Harp Dustin Lin
Flute Jessi Piso
Oboe Lydia Shoen
Clarinet Deidre Ford
Bassoon Andrew Carroll
Horn 1 Kelsey Bently
Trumpet Keith Kirk
Bass Trombone Matthew Walker
Percussion Steven Rogers

Video Production Christopher Frith & Jim Johnson Production Location Historic Grove Theater
Executive Artistic Director Kathryn Frady

#tbt to one of my favorite musical moments in Laur

#tbt to one of my favorite musical moments in Laura Kaminsky’s Lucidity. This role has kept me fed artistically for the better part of two years, and I’m looking forward to trying it on again someday down the line.

‼️Stay tuned for an upcoming dream role announcement…

Lucidity
Opera in the Heights//March 2026
Houston TX

Composer: Laura Kaminsky
Librettist: David Cote
Conductor: Gregory McDaniel
Director: Matthew Haney
Stage Manager: Avry Diaz

Lili: Cynthia Clayton
Sunny: Cristina Maria Castro
Dr Klugman: Abby Powell
Dante: Geoffrey Peterson

Had a great time working with @maxstudios.nyc late

Had a great time working with @maxstudios.nyc late last month to work on some new materials.
2026 is a year of wanting to level up, and lean into enjoying and sharing my work a bit more, even if some of these are clearly works in progress or revisits. It’s funny how we are sometimes champions for others, but not as much ourselves. Changing that mindset starting this month.

Aria: Within This Frail Crucible of Light
Opera: The Rape of Lucretia
Pianist: Matthew Lobaugh

#classicalmusic #baritone #opera #operasingersofinstagram #singersofinstagram

Was thrilled to be invited to start the holiday se

Was thrilled to be invited to start the holiday season earlier this month with @ithacamtd and @dcjubileesingers to perform Dr Lena McLin’s Christmas Cantata. This past year has been one full of gratitude, and full circle moments that have completely filled my cup, and made me feel whole. I am so appreciative of everyone I have met along this journey this year, and cannot wait to collaborate with friends old and new in 2026! Stay tuned for some exciting updates, and ambitious goals to knock out in 2026! Happy holidays, and happy new year! 🎊 🎄🍾

Grateful! It’s the feeling and phrase I kept comi

Grateful!

It’s the feeling and phrase I kept coming back to over and over during this production of Porgy and Bess.

Greatful to be able to return back to HGO after so almost 6 years.

Greatful to finally dive into this piece that in hindsight, I’d foolishly avoided picking up.

Greatful to work with and create new friendships with these incredible artists.

Greatful to reconnect with so many dear friends and pick up almost immediately where we left off.

Greatful to sit under the learning tree and watch some folks that I’ve admired from afar up close. Watching their process is one of my favorite parts of this journey.

Greatful for the first time in my career where I didn’t question my belonging as a black artist in this arena.

And so many other gratitudes and feelings that I can’t properly express. I’ve ticked off some huge black music history bucket list items in the last couple of years, and this one was at the top of the list. I’m so inspired by the work of this group. Every day I kept saying I want to work a little harder and enjoyed that push and support. This cast, this house, this production is so special, and if ever I should get another chance, I won’t hesitate to catch the next plane to catfish row!

Geoffrey peterson

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Geoffrey Peterson

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